A villa in the Czech Republic, restored according to a design by the Tunicate studio, is an example of how thoughtful architecture can breathe new life into old modernism. The building, dating from 1937–1938 and designed by Arnošt Mühlstein and Victor Fürth, has retained its extraordinary potential despite a turbulent history. It survived in almost its original condition until the 1990s, later underwent partial modernisation, and after a fire in the early 21st century stood abandoned for years. The adaptation therefore required not only reconstruction, but above all a reinterpretation of its character.
The architects from Tunicate emphasise that they did not treat the villa as a museum exhibit. They were interested in it as a structure capable of accommodating a contemporary way of life whilst retaining its own identity. The existing redevelopment plan had already defined the general external form, whilst the interiors required a new interpretation. It was here that the most important part of the work took place – the search for a balance between the modernist heritage and expectations of contemporary comfort.
From the street, the house remains understated. The small windows of the entrance façade create a sense of protection from the hustle and bustle of the city. This deliberate design choice makes the moment of crossing the threshold particularly powerful. Upon passing through the vestibule, the space opens up, and the entrance hall visually connects with the living area. The eye is drawn to a wide, horizontal strip of windows, newly introduced in the dining and living areas, framing a panorama of Prague. Tunicate clearly emphasises the contrast between the enclosure facing the street and the openness towards the garden and the landscape. At the same time, the designers have ensured the ability to control the views – a sliding partition made of narrow wooden slats allows the hall to be separated from the living room without disrupting the fluidity of the space.
The functional layout remains faithful to the logic of the original house. The ground floor forms an open-plan living area, the first floor serves as a private zone, and the basement combines utility and technical rooms. The architects sought to combine rooms into larger units and create spatial relationships that make the whole feel natural. The differences in levels and the building’s complex structure did not become an obstacle – on the contrary, they became a starting point for new solutions. A good example is the staircase, whose original form and materials have been combined with new structural interventions in a way that emphasises the continuity of space.
The materials reflect the rational character of modernism. Exposed concrete and mineral finishes emphasise the austerity of the interiors, whilst oak floors introduce calm and balance. The palette is restrained, but this lends the interior clarity and coherence.
The fireplaces have become a distinctive feature – one on the ground floor, the other on the top floor. Both are complemented by slender metal structures, tailored to the proportions of the rooms. Their patinated copper casings, crafted by DURO DESIGN, lend them a sculptural character. In spaces with a restrained aesthetic, they become strong focal points that organise the layout and emphasise its elegance.
Thanks to the renovation work, the villa has regained its former class without falling into the trap of literal reconstruction. The architects from the Tunicate studio have restored its modernist spirit, whilst giving it a form that meets contemporary needs. Despite the passing of time and difficult experiences, the building once again looks impressive. The villa is an example of how 1930s modernism can be not only beautiful but also surprisingly relevant today.
design: Tunicate
team: Jan Roučka, Dana Szabó
photography: BoysPlayNice
Read also: Villas and residences | Czech Republic | Modernism | Metamorphosis | whiteMAD on Instagram
