At Perfumiarni in Poznań, right next to Wilson Park, an interior has been created that redefines the concept of contemporary minimalism. Designed by Aga Bogacka Studio, it is an example of a space where a reduction in form goes hand in hand with attention to materials, light and proportions. This 120-square-metre flat, designed for a young single man working in the IT sector, becomes a private sanctuary – orderly, logical and serene.
A ‘soft’ take on minimalism
The architect describes the design direction as conscious, contemporary minimalism, devoid of coldness and sterility. The interior is based on simplicity, but offers much more. Textures, light and proportions are key, rather than ornamentation. Japanese influences appear in the private area – sliding shoji panels allow the function of the space to be altered and create fluidity between rooms. It is an approach in which the materials speak for themselves, and the design “works through silence”, as the architect puts it.
The location influences the design
The flat is situated in the Łazarz district, within the Perfumiarni development – a project that combines modern architecture with the site’s industrial and historical context. Its greatest asset is its immediate proximity to Wilson Park. Large glazed areas open the interior up to the greenery, and in winter, the light reflecting off the snow enhances the impression of lightness and of floating above the treetops. This relationship with the surroundings has become one of the cornerstones of the design.
Functional layout
The space has been divided into two zones – a living area and a private area – connected by a long corridor, which takes on an architectural character thanks to oak panelling and concealed doors. At the end of the corridor, a mirror has been placed to visually enlarge the space and diffuse the light.
The kitchen is the focal point of the flat. It is not merely an addition to the room, but serves as the compositional core. The living area, comprising the dining room and lounge, is arranged around it. In the private area, the bedroom connects to the bathroom – thanks to sliding panels, the two rooms can form a single, cohesive relaxation space, reminiscent of a private spa.
Although the developer’s layout was not fundamentally altered, the project required a redefinition of functions and the introduction of bespoke built-in units that organise the space and conceal everyday furnishings.
Material as the main protagonist
The greatest challenge was combining minimalism with cosiness. Every element had to be justified, yet the interior could not become austere. That is why earthy colours dominate: beiges, warm browns, off-white, natural wood and stone. Burgundy accents play an important role, adding depth, as does the distinctive veining of Calacatta Viola marble – particularly in the monolithic kitchen island, which serves as the sculptural centrepiece of the flat.
The inspiration came from the authenticity of the materials and their natural properties. The architect speaks of ‘humility towards the material’ – allowing it to be a decoration in its own right.
Distinctive furniture
The interior is largely based on bespoke furniture, individually designed and made to order, including by the Underwood studio. In the living area, the eye is drawn to an oak table from The Good Living & Co., paired with sculptural chairs and lighting by Davide Groppi.
The design also features design icons: the Lama armchair by Zanotta, the Thot coffee table by Ligne Roset, the Leyasol Lounge Chair by Freifrau, the Poke Table by Henge, a glass coffee table by &Tradition and the USM Haller modular TV unit. The ensemble is complemented by a sofa from Tamo Meble.
Art plays a significant role – sculptures by Dorota Starosta, paintings by Klaudia Malczyk and ceramics by Metis Concept. These introduce an organic, human element to the orderly space.
design: Agnieszka Bogacka Studio
design team: Agnieszka Bogacka, Klaudia Dopierała, Mikołaj Dyląg
photography: Sandra Borowska Lightview studio
set design: Agnieszka Bogacka and Klaudia Dopierała
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