Enfants Rouges

A kingdom of white and strong accents. The Parisian interior intrigues with every detail

In the heart of the historic Enfants Rouges district of Paris, a flat has been created that combines tradition with modern elements to create a unique living space. In designing the interior, the architects took full advantage of the unusual geometry of the premises, turning constraints into assets.

The narrow entrance was optically deepened with a black bathroom and mirrors that not only enlarge the space, but also conceal technical elements. These thoughtful details ensure that the first step into the interior evokes an impression of spaciousness and elegance.

Enfants Rouges

The large living-dining room, which stretches the full width of the flat, is where a variety of layouts, forms and colours meet. Every line and angle in this space directs the eye in a different direction, creating an impression of dynamism. In the background of the living room is the large bedroom, which subtly emphasises the depth of the space. In contrast, the small bedroom, located close to the kitchen, gently balances the interior layout.

Enfants Rouges

Every corner of the flat has been carefully landscaped. The living room is dominated by a variety of furnishings, from hanging sideboards to low alpine wood furniture designed by Ettore Sottsassa to oiled oak window sills in a chocolate shade. The interior colour scheme, combining white, grey, black and warm browns, creates a harmonious whole.

The uniform flooring brings coherence and order throughout the flat, contrasting gently with the preserved original terracotta tiles and wooden ceiling beams in the living room. These historical details are a reminder of times gone by and the unique character of the Enfants Rouges district, one of the oldest parts of Paris.

The kitchen, in a shade of slightly orange red, stands out with its monochrome finish. The steel furniture elements reflect the warm tones of the walls, creating a surprising but harmonious effect.

The furniture and decorations perfectly emphasise the architectural intentions of the designers. In the kitchen, you can see Italian romanticism combined with Sottsass’ creative frenzy and his anti-design. The living room, on the other hand, combines Brutalist accents with the postmodern elegance of 1950s furniture, while the simplicity of the forms balances the entire arrangement.



Design: Studio Carré – Paul Levaillant
Photographs: Oracle Paris – Clément Gérard

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