It is an example of a consistently applied design aesthetic, where visual tranquillity and comfort are the top priorities. The flat measures 59 square metres and is located in Gdynia. Its interior was designed by Agata Piltz. What design choices did she make?
Theflat is situated in a new development close to the city centre, yet on the edge of the estate, with views of the forest and meadows. It is this combination of urban convenience and natural surroundings that encouraged the clients to settle in this particular part of the city. The space was designed for a family of four who lead a busy lifestyle and needed a home that would allow them to fully unwind after work. The flat was intended to be a place of rest, organised and free from sensory overload.
A well-thought-out layout
The floor plan is based on a rectangular, clear structure. A small entrance hall leads to all areas of the home. The central part is occupied by the living room, which is open-plan with the kitchen, with the master bedroom and bathroom situated adjacent to it. On the opposite side, a walk-in wardrobe and additional rooms have been planned.
Several significant changes have been made to the developer’s original layout. The small toilet by the entrance has been converted into a fully-fledged utility room, which has helped to keep the living area tidy. One of the rooms has been converted into a walk-in wardrobe of around 12 square metres, significantly increasing storage capacity.
The kitchen proved to be the biggest challenge. Originally, it was quite small, with limited space for fitted units. The proximity of the balcony window was another obstacle to arranging the furniture here. After much consideration, the architect opted for a small island, which ultimately brought order to the entire space.
After much analysis and trial and error, a solution was devised that the client had initially approached with some reservation – a small kitchen island. Ultimately, it was this that became the key element in organising the space and enhancing user comfort, ” explains Agata Piltz.
A monochromatic palette and light
The interior has been designed in a soft minimalist style, based on warm cashmere tones: creams, beiges, vanilla whites, delicate taupes and light greys. The differences between them create subtle transitions rather than contrasts. There are matt gold accents, natural wood and soft fabrics in ‘tone-on-tone’ shades.
The greatest challenge was maintaining a consistent, monochromatic palette. This required precise handling of textures and light to avoid a sense of monotony. Lighting proved to be key – warm, diffused, bringing out the texture of the materials and emphasising the softness of the composition.
“The final effect of the monochromatic interior gives me the greatest satisfaction. It is a solution that demands great attention to detail and consistency, but it is precisely this that yields a unique, refined result,” adds the designer.
A place to live
In this interior, everything has its place. From the round dining table, which encourages family conversations, to the fitted kitchen units, which, despite their capacity, almost blend into the background. The absence of unnecessary contrasts and the focus on a ‘nude’ palette allows the eye to rest, whilst the residents’ minds can finally switch to ‘off’ mode.
Agata Piltz’s design proves that a modern style need not be austere. Through the right balance of textures, light and muted colours, an interior has been created that feels like a deep breath. It is a home that understands the needs of its inhabitants and becomes their most effective tool for combating stress.
design: Agata Piltz
photography: Kuba Nanowski Perspektywa
Read also: Flat | Interiors | Gdynia | Minimalism | Modern classic | whiteMAD on Instagram
